現代版朦朧詩的字體海報


“黑夜給了我黑色的眼睛,我卻用它尋找光明” ——《一代人/ One Generation》· 顧城—— 1978


“卑鄙是卑鄙者的通行證,高尚是高尚者的墓誌銘” ——《回答/ The Answer》· 北島—— 1976


“面朝大海,春暖花開” ——《面朝大海,春暖花開/ Facing The Sea With Spring Blossoms》· 海子—— 1989


“相信未來” ——《相信未來/ Believe In The Future》· 食指—— 1968


“三根弦的吉他是不可能的” ——《界限/ Boundaries》· 戈麥—— 1990


“這城市痛苦得東倒西歪,在黑暗中顯得蒼白” ——《城市/ The City》· 芒克—— 1972


“真理就會把詛咒沒有完成的交給了槍” ——《紀念碑/ Memorial》· 江河—— 1980


“攫或者嚼/ 攫恰是嚼” ——《饕餮之問/ The Question Of Glutton》· 楊煉—— 2011

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設計理念

Misty poetry is a very important department of literature in the history of Chinese Contemporary poetry. It is so named because the work has been officially denounced as “obscure”, “misty”, or “hazy” poetry. But it is mainly influenced by Western modernist poetry, and drawing on some western modernist expressions to express their feelings, emotions and thoughts.
At the same time, the misty poetry strongly influenced on the lyrics of China’s first rock music (This is just what I like).
This group of poster works is intended to combine the misty poetries and basic graphic elements to show the distinct emotional color and rational thinking of misty poetry.

朦朧詩是中國當代漢語詩歌史上一個非常重要的文學流派。他被批評寓意不清,因此得名。但是其主要受西方現代主義詩歌影響,借鑒一些西方現代派的表現手法,表達自己的感受、情緒與思考。
同時,朦朧詩很大程度的影響了中國第一批搖滾樂的歌詞創作(之所以提到這個,因為對當代中國的搖滾樂的關注也是我的愛好之一)。
這組字體海報,意在結合朦朧詩和基礎圖形元素,來表現朦朧詩所呈現的強烈的感情色彩和其中的理性思考。

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